Sora Heartwood Review

Sora
Heartwood
Self-released 634479890451
More like reading a book than listening to an album
*****
Sora’s first album saw her cover many traditional folk/Celtic songs. Her second album features eleven songs/pieces all written by Sora. This is an album rich in magic and atmosphere. Sora has tried to bring the outside in with this fresh new body of work. This album is not just an album of songs or music it is an album of self discovery for the listener. Four of the songs on this new album – The Birch’s Lament, The Juniper (a charming piece that will captivate any listener), Light and Twilight were previously featured on Sora’s fantastic 2008 EP release entitled LIGHT. The album starts off with the title piece Heartwood. The music is haunting and evocative and Sora’s voice is angelic. Sora effortlessly blends folk with classical music to create a delightful combination. Artists like Enya and Clannad spring to mind whilst listening to Sora’s mesmerising voice. This album features a whole range of instrumentation including the piano, mandolin, cello, violin, drums, accordion, harp and viola. Heartwood is magical, beautiful and delicate all rolled into one. It takes the listener on a journey; you are left feeling like you are soaring high in the sky looking down on the green fields below. Drift is a charismatic song punctuated with Sora’s goddess like voice. With Sora’s vocals and the gentle music you do get the impression that you are drifting along on the wind. Eurydice certainly has a haunting sound. This is a more dramatic piece that speaks of love and death. Sora’s voice is more severe on this piece. Winter sees the mood lighten. Sora’s voice is more upbeat on this piece and the music is vibrant and engaging. Listening to this album is like reading a book with each song forming a chapter. Hurricane has a strong folk feel to it. This is another dramatic piece that describes a person as a hurricane. Children of Lir is a lighter breezier piece with a classical style. The chorus is uplifting and quite refreshing on the ear. The music is gentle and has a slight Arabian sound. Sora’s voice is stunning and outstanding on this piece, which really brings the album to life. Madron Well, the final piece on the album, is a dreamy delicate classical sounding number. Sora’s voice is just perfect once again. It is a huge shame when the album ends as this is such a wonderful masterpiece. Amazing!